The ultimate guide to nature drawing and journaling! A potent combination of art, science, and boundless enthusiasm, this art instruction book from John Muir Laws (author of The Laws Guide to Drawing Birds) is a how-to guide for becoming a better artist and a more attentive naturalist. In straightforward text complemented by step-by-step illustrations, dozens of exercises lead the hand and mind through creating accurate reproductions of plants and animals as well as landscapes, skies, and more. Laws provides clear, practical advice for every step of the process for artists at every level, from the basics of choosing supplies to advanced techniques. While the book's advice will improve the skills of already accomplished artists, the emphasis on seeing, learning, and feeling will make this book valuable-even revelatory-to anyone interested in the natural world, no matter how rudimentary their artistic abilities.

This is the first complete English translation of a lively travelogue written by Andronikos aka Nikandros Noukios, a Greek from Corfu, who accompanied a diplomatic mission from Venice to England in the middle of the sixteenth century. He describes some of the great northern Italian cities, gives vivid impressions of picturesque Germany, of sober but enthusiastic Lutheran church services, and of cities on the Rhine. In the Low Countries he visits the commercial centres and in England gives a real sense of the excitement of London and its sights. He rather liked the English (even giving a recipe for beer), and is clearly fascinated by Henry VIII, his attacks on the monasteries and his break with Rome. He then surprisingly joins up with a troop of Greek mercenaries, but finally leaves them and returns to Italy through France with glimpses of Fontainebleau and Francis I. We leave Andronikos after he has visited Rome on his way back to Venice. The book is an almost unknown source for the sixteenth century and will certainly be of interest to historians and students. It is also an important and little-known landmark in the development of Modern Greek literature, especially relevant to the burgeoning modern interest in travel writing. It is accessible and a good read.

John Muir Laws’s guide to drawing birds is itself winged, soaring between a devotion not only to art but also to the lives, forms, and postures of the birds themselves. Here, artistic technique and the exquisite details of natural history intertwine, and drawing becomes the vehicle for seeing. As Laws writes, "To draw feathers, you must understand how feathers grow, overlap, and insert into the body. To create the body, you must have an understanding of the bird’s skeletal structure. To pose this skeleton, you must be able to perceive the energy, intention, and life of the bird." This how-to guide will perfect the technique of serious artists but also, perhaps more importantly, it will provide guidance for those who insist they can’t draw. Leading the mind and hand through a series of detailed exercises, Laws delivers what he promises: that "drawing birds opens you to the beauty of the world." An Audubon Book.

An all-access guide to the abundant natural splendor of Sonoma County Wild Sonoma celebrates the spectacular and resilient natural landscapes of Sonoma County, which along with its neighboring counties is one of the world's premier winegrowing regions. Our exploration launches with an entertaining primer on ecology basics, including the impact of fire, before a fun fact-filled survey of sixty-two of the area's iconic and commonly encountered species-from vivacious acorn woodpeckers to disease-neutralizing Western fence lizards. It caps off with a tour of six sites to experience Sonoma's diverse natural beauty, with a special emphasis on access. Written by Wild LA author Charles Hood, introduced by renowned naturalist Jane Goodall, and illustrated by John Muir Laws, Wild Sonoma offers residents and tourists from eight to eighty a sense of wonder and cause for hope.

This is the first complete English translation of a lively travelogue written by Andronikos aka Nikandros Noukios, a Greek from Corfu, who accompanied a diplomatic mission from Venice to England in the middle of the sixteenth century. He describes some of the great northern Italian cities, gives vivid impressions of picturesque Germany, of sober but enthusiastic Lutheran church services, and of cities on the Rhine. In the Low Countries he visits the commercial centres and in England gives a real sense of the excitement of London and its sights. He rather liked the English (even giving a recipe for beer), and is clearly fascinated by Henry VIII, his attacks on the monasteries and his break with Rome. He then surprisingly joins up with a troop of Greek mercenaries, but finally leaves them and returns to Italy through France with glimpses of Fontainebleau and Francis I. We leave Andronikos after he has visited Rome on his way back to Venice. The book is an almost unknown source for the sixteenth century and will certainly be of interest to historians and students. It is also an important and little-known landmark in the development of Modern Greek literature, especially relevant to the burgeoning modern interest in travel writing. It is accessible and a good read.

Your ideal companion for observing and exploring the natural world! Designed to the last detail by the “modern Audubon” John (Jack) Muir Laws, The Laws Sketchbook for Nature Journaling is the perfect starting point for anyone interested in the practice and joy of getting out, observing, and recording nature. Sturdy covers and a lay-flat sewn binding make field sketching easy, and artists of all levels will appreciate the eighty blank pages of high quality paper suitable for pen, pencil, and light washes. In addition, this journal includes tips, techniques, and advice from master nature journalist and teacher Jack Laws. Reference illustrations to solve common nature-drawing problems, tools for measuring and quantifying observations, and a grommet-secured elastic band that holds everything tight at the end of the day make this sketchbook an essential tool when out in the field.

From the first 'deadly signs' scratched on a wooden tablet instructing the recipient to kill the one who delivered it, to the letters of St Paul to the early Church, this book examines the range of letter writing in the Ancient Greek world. Containing extensive translated examples from both life and fiction, it provides a glimpse into the lives of both ordinary people and political life. This comprehensive study looks at personal and private letters, letters used in administration and government, letters used as vehicles for the dissemination of philosophy and religion, and letters which played a part in the development of several literary genres. The way in which letters were written and with what materials, how they were delivered, and how it is that, for certain limited periods and locations, so many of them have survived and how they were re-discovered. By placing these letters in their social, political and intellectual contexts, Life and Letters in the Ancient Greek World draws attention to both familiar topics, such as young soldiers writing home from basic training and the choice of flowers for a wedding, and more alien events, such as getting rid of baby girls and offhand attitudes to bereavement. This first guide in English to provide commentary on such a broad range of letters, will be essential reading for anyone interested in the Ancient Greek World.

From the first 'deadly signs' scratched on a wooden tablet instructing the recipient to kill the one who delivered it, to the letters of St Paul to the early Church, this book examines the range of letter writing in the Ancient Greek world. Containing extensive translated examples from both life and fiction, it provides a glimpse into the lives of both ordinary people and political life. This comprehensive study looks at personal and private letters, letters used in administration and government, letters used as vehicles for the dissemination of philosophy and religion, and letters which played a part in the development of several literary genres. The way in which letters were written and with what materials, how they were delivered, and how it is that, for certain limited periods and locations, so many of them have survived and how they were re-discovered. By placing these letters in their social, political and intellectual contexts, Life and Letters in the Ancient Greek World draws attention to both familiar topics, such as young soldiers writing home from basic training and the choice of flowers for a wedding, and more alien events, such as getting rid of baby girls and offhand attitudes to bereavement. This first guide in English to provide commentary on such a broad range of letters, will be essential reading for anyone interested in the Ancient Greek World.

'When I was a child in Scotland, I was fond of everything that was wild, and all my life I've been growing fonder and fonder of wild places and wild creatures.' John Muir was eleven when he and his family left Scotland in 1849 to build a new life on a homestead in the vast wilderness of Wisconsin. Written in simple yet beautiful prose, we see Muir's delight as he discovers and observes the landscape and wildlife around him, as he recalls his childhood and reveals himself as a master of natural description.

The first-ever comprehensive book devoted to helping educators use nature journaling as an inspiring teaching tool to engage young people with wild places. In their workshops, John Muir Laws and Emilie Lygren are often asked the how-tos of teaching nature journaling: how to manage student groups in the outdoors, teach drawing skills (especially from those who profess to have none), connect journaling to educational standards, and incorporate journaling into longer lessons. This book, expanding on the philosophy and methods of The Laws Guide to Nature Drawing and Journaling puts together curriculum plans, advice, and in-the-field experience so that educators of all stripes can leap into journaling with their students. The approaches are designed to work in a range of ecosystems and settings, and are suitable for classroom teachers, outdoor educators, camp counselors, and homeschooling parents. Full-color illustrations and sample journal pages from notable naturalists show how to put each lesson into practice. Field-tested by over a hundred educators, this book includes dozens of activities that easily support the Common Core and the Next Generation Science Standards—and, just as important, it will show kids and mentors alike how to recognize the wonder and intrigue in their midst.

The perfect companion for the urban sightseer, Walking Cape Town features 33 easy walks and drives through the streets and suburbs of one of the world’s most beautiful and popular cities. From the Company’s Garden in the heart of the city to trendy Green Point, Sea Point and Camps Bay, the colourful Bo-Kaap, and the bustling seaside villages of Muizenberg, Kalk Bay and Simon’s Town, this comprehensive guide reveals the fascinating history and urban charm that has made Cape Town one of the top destinations in the world.

John Muir, an expert on Cape Town and its hidden gems, provides a wealth of information on all that can be discovered en route: the city’s colonial past, Victorian and contemporary architecture, museums and monuments, churches and mosques, parks and gardens, and rivers and wetlands.

Fully illustrated with more than 250 photographs, this extensive guide also includes: easy-to-follow directions and full-colour illustrated maps; essential information on walking and driving distances, terrain,level of difficulty, opening times and contact details; suggestions for restaurants, pubs and coffee shops along the way; fact panels on the city’s iconic landmarks and famous residents.

For locals and visitors wanting to discover more about the city’s rich heritage, Walking Cape Town is an indispensable guide.

'When a man plants a tree, he plants himself. Every root is an anchor, over which he rests with grateful interest, and becomes sufficiently calm to feel the joy of living.' Steep Trails encompasses a delightful mix of John Muir's essays and adventure narratives, spanning a period of twenty-nine years. The selections included in this book are varied: ranging from geological studies to stories of the people and towns he encounters throughout his exploits. As Muir expert Terry Gifford observes in the foreword, 'Most of Steep Trails' chapters are dispatches from Muir as travelling correspondent with a mixture of insights into local cultures, criticism of pollution and enthusiasm for everything wild.' Muir's refreshing philosophy of being 'at one' with nature shines through every account he details, as does his agenda for environmental activism - to treat wildness lovingly, rather than selfishly for material greed. Covering mostly the western regions of the states, California, Washington, Nevada, The Grand Canyon, Oregon and Utah; Steep Trails showcases Muir's passion continuously as he climbs mountains, bathes in lakes, and sketches his findings. Muir's classic extended metaphors and knowledgeable tone are present throughout, making for both an enjoyable and educational read. The enthusiasm contained within these pages is infectious, and as well as simply describing the beauty he sees, Muir will inspire you too, to 'go and see for yourselves' the rewards of studying the endless gift of nature: 'Surely faithful and loving skill can go no farther in putting the multitudinous decorated forms on paper. But the colours, the living, rejoicing colours, chanting morning and evening in chorus to heaven! Whose brush or pencil, however lovingly inspired, can give us these? And if paint is of no effect, what hope lies in pen-work? Only this: some may be incited by it to go and see for themselves.'

`Any fool can destroy trees. They cannot run away … God has cared for these trees … but he cannot save them from fools – only Uncle Sam can do that.’ First published in 1901, Our National Parks is possibly the bestselling book of Muir’s wilderness-discovery titles and was certainly the most influential published in his lifetime, with a strong focus on the preservation of forest reserves. With a strong political tone and shrewd, subtle manoeuvring, Muir uses Our National Parks to persuade his readership of the necessity of nature and national parks for human recreation and more importantly for health and wellbeing, as well as the – in his mind – obvious need for preservation of wild ecosystems. Cannily he counterbalances this with the acknowledgement of the need for timber and irrigation systems, in order that his message is taken seriously; Muir’s passion is portrayed so vividly and flamboyantly that without his learned political and scientific reinforcement, he could be misconstrued as purely a radical and eccentric nonconformist. However, the two combined result in an engaging and convincing argument that these landscapes are our `natural home’, and `fountains of life’. As Muir expert Terry Gifford observes in the foreword, `Muir’s tone can shift in this book from seductive persuasion, to charming details of creatures, flora and landscapes, to scientific information, to trail guide, to religious uplift, to a final political speech of startling ferocity.’ John Muir’s strategic yet genuine and beautiful conservationist essays were a first at the time of publication, and are still highly applicable to our attitudes and lifestyles today in the twenty-first century.

'How glorious a greeting the sun gives the mountains! To behold this alone is worth the pains of any excursion a thousand times over.' John Muir is known internationally for his dedication to protecting the environment and for founding The Sierra Club in 1892. His first book, as Muir authority Terry Gifford writes in the foreword, 'became the bible of the fledgling Sierra Club, which is now a major national environmental activists' organisation with branches in every corner of America'. The Mountains of California not only details Muir's visits to the magnificent mountains along the Sierra Nevada Range, which he affectionately calls 'The Range of Light', but also the stunning glaciers, forests and landscapes that he encounters: 'Climbing higher, I saw for the first time the gradual dwarfing of the pines in compliance with climate ... patches of the dwarf vaccinium with its round flowers sprinkled in the grass like purple hail; while in every direction the landscape stretched sublimely away in fresh wildness: a manuscript written by the hand of nature alone.' Throughout the book, Muir's philosophy of nature's ability to soothe and amaze is evident. He heart-warmingly discusses at length how his encounters with animals, such as the Douglas squirrel, cheered him so. This is a truly beautiful read; Muir's writing, embedded with emotion, wit, and at times, humour, will never fail to speak to his reader. The enthusiasm contained within these pages is infectious, and as well as making a powerful read, Muir will inspire you, too, to 'come and see' the innumerable delights that nature can offer: 'The best words only hint at [California's] charms. Come to the mountains and see.'

The great explorer and environmentalist, John Muir, first met the little dog Stickeen while exploring in Alaska. This is the true story of their challenging and memorable adventure climbing the glaciers of the north country, as re-told by former teacher and former lawyer, Donnell Rubay, and illustrated by award-winning illustrator Christopher Canyon.

`All these colours, from the blue sky to the yellow valley smoothly blending as they do in a rainbow, making a wall of light ineffably fine.’ Having spent significant time obsessively exploring and learning about the Sierra, John Muir’s passion for and belief in preserving the wilderness steadily grew. He believed that excessive grazing and logging would result in its eventual destruction, and so campaigned to designate the area as a protected national park. In 1890, the US Congress passed the National Park Bill, and the Yosemite and Sequoia national parks were established. At the time of writing, Muir’s views on conservation of the wilderness were totally radical; today, environmental activists are too often brushed aside in favour of something faster, easier, and cheaper. Muir not only educates us in the particulars of the botanicals of this spectacular landscape, but also inadvertently traps us in his web of enthusiasm for the beauty and significance of Mother Nature. The Yosemite gives us the tools to construct a detailed mental map of the Sierra, and leaves us with the resolution to be more compassionate and environmentally mindful. First published in 1912, and with a new introduction from Muir authority Terry Gifford, the message in The Yosemite is perhaps more pertinent now than it ever was. There is a lot to thank Muir for, not least opening our eyes to the earth beneath our feet.

The Story of My Boyhood and Youth; A Thousand Mile Walk to the Gulf; My First Summer in the Sierra; The Mountains of California; Our National Parks; and more.

'Divine beauty all. Here I could stay tethered forever with just bread and water, nor would I be lonely.' In the summer of 1869, John Muir joined a group of shepherds in the foothills of California's Sierra Nevada mountains, that he might study and expand his knowledge of the plants, animals and rocks he found there. My First Summer in the Sierra - first published in 1911 - is the detailed and colourful diary he kept while tending sheep and exploring the wilderness. Muir's account tracks his experiences in the Yosemite Valley and the High Sierra alongside faithful companion Carlo the St Bernard, describing the majestic landscapes and the flora and fauna of the area with the excitement and wonder of a child. From sleeping on silver-fir-bough mattresses to goading wild bears, and valuing everything from tiny pebbles to giant sequoia, he truly immerses himself and falls in love with the wilderness. Muir's enthusiasm is infectious, and over 100 years on his environmental message is more pertinent than ever. With a new introduction from Muir authority Terry Gifford, My First Summer in the Sierra is an enchanting and informative read for anyone passionate about the natural world and its splendours.

Part of John Muir's appeal to modern readers is that he not only explored the American West and wrote about its beauties but also fought for their preservation. His successes dot the landscape and are evident in all the natural features that bear his name: forests, lakes, trails, and glaciers. Here collected are some of Muir's finest wilderness essays, ranging in subject matter from Alaska to Yellowstone, from Oregon to the High Sierra.This book is part of a series that celebrates the tradition of literary naturalists--writers who embrace the natural world as the setting for some of our most euphoric and serious experiences. These books map the intimate connections between the human and the natural world. Literary naturalists transcend political boundaries, social concerns, and historical milieus; they speak for what Henry Beston called the "other nations" of the planet. Their message acquires more weight and urgency as wild places become increasingly scarce.

'Many a beautiful plant cultivated to deformity, and arranged in strict geometrical beds, the whole pretty affair a laborious failure side by side with divine beauty.' A Thousand-Mile Walk to the Gulf is the second book in John Muir's Wilderness-Discovery series. It is within this work that we are really given strong clues toward Muir's future trailblazing movement for environmental conservation, in such comments as 'The universe would be incomplete without man; but it would also be incomplete without the smallest transmicroscopic creature that dwells beyond our conceitful eyes and knowledge.' Muir's walk from Indiana to Florida was conceived in order to explore and study further the flora and fauna across states. He undertakes this alone, a dangerous choice perhaps so soon after the civil war, as many characters along the way forewarn. Indeed, Muir is threatened by a robber, and we see a new side to the quiet, lowly gentleman we know as he springs into self-defence mode with lightning initiative and remarkable courage. This is not the only facet of Muir's personality that is uncovered throughout this journey. He makes reference to feeling 'dreadfully lonesome and poor', which is intriguing as his circumstances are self-sought: 'Stayed with lots of different people but preferred sleeping outside alone where possible'. He spends a substantial period of time struck down with malaria, which does not come as a surprise; he was covering many miles on an unsustainably meagre diet with thirst often quenched with swamp water or not at all. Join Muir in Kentucky forests, Cumberland mountains, Florida swamps and all the elegantly described trees, plants, creatures and rocks in-between. A Thousand-Mile Walk to the Gulf teaches us as much about Muir himself as it does the ecosystems in the wilderness across those 1,000 miles.